Interviews

DAY IN THE LIFE | DJ MOS from KarmaloopTV on Vimeo.

Spike Lee joins Pharrell Williams in New York City to talk about how he got his start in filmmaking shooting the summer of 1977, the influence of exposing children to art at an early age, and the love of his work and his hometown that has fueled The Brooklyn Chronicles.

The most interesting thing about Vintage Sunglasses is the history found behind them. Every artist has a story, and Talib Kweli is no exception. Born and raised in NYC, Talib Kweli takes us through a journey of his youth

talking to us about his relation with eyewear.

INTERVIEW: SAUL WILLIAMS DISCUSSES POETRY AS AN INFINITE RESOURCE, CONSERVATIVE HIP-HOP AND THE BASED GOD

In 1998, Marc Levin’s independent film Slam hit the Sundance Film Festival. The film itself was astounding – set in the Washington D.C projects, a young African-American man named Raymond Joshua tries to escape the city’s trappings of drugs and gang violence, but D.C won’t let him leave so easily. Joshua’s a graffiti artist and an aspiring rapper with a gift for gab beyond belief, yet through various circumstances, he ends up facing the very real possibility of jail time. The film won Sundance’s Grand Jury Prize that year, along with the Cannes Film Festival’s Camera D’Or. Playing the lead role of Raymond Joshua was Saul Williams.

It’s been 15 years since Slam introduced the world to a young poet named Saul, and since then his talents have given him the opportunity to spread his words across the world. Williams has released seven albums, written five books, had essays published in the New York Times andEqsuire, and worked with artists spanning from Erykah Badu to Nas to Trent Reznor.Williams is about to embark on a quick trip across the country with at least seven scheduled readings. Before then, RESPECT. got a chance to catch up with provocative performer. It’s a brief conversation, but nevertheless, Williams still left us with much to muse over.

So what separates you, and artists like Erykah Badu who is kind of in your lane, from an artist like Jay Z or Nas?

Nas and Jay Z are awesome, but they’re more conservative.

Ok…

Nas i love because his head is in the right place, his heart is in the right place. I listened to Nasas a fan in 1993. At that time, Nas put more words per bar, than any other rapper.

True.

He did the same thing to hip-hop that KRS-1 did to hip-hop when he came out. He made the rappers that came before him sound old. Nas did something brilliant…Jay Z on the other hand, is not as brilliant as Nas to me. To me, Jay Z is a better business man. But, Jay Z is a conservative business man to me. Even in terms of his music. One person you didn’t mention isAndre 3000. Andre 3000 is someone who has taken chances. Jay Z, the chance that he’s taken is like, “Oh this is what’s popular in Texas? Then I’m gonna do a rap song with these dudes from Texas.” And maybe do a verse like kind of in there style.

Like ‘Big Pimpin’? [The song Jay Z did featuring Texas’ UGK, who at the time was riding the momentum of their underground classic ‘Ridin Dirty’, released the previous year.]

Yeah, yeah, exactly. Like to me, Jay Z is a very conservative business man. It’s good for the morale for the people to see, ‘Ah this ghetto guy made it the right way.’ That’s good for morale. But, on the other hand, musically, he does exactly what he said on the Black Album, “I dumb down my lyrics and double my sales.” He just kind of called his audience stupid.

He’s kind of right.

But it’s bad for music. People are going to love the music they grew up with, always, but critically I would say that it’s too clean, it doesn’t take the chances that I hear other artists taking. Only now is Jay Z finding the space to say more, but that’s like playing it safe because what does he have to lose? That’s still more conservatism.

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Source: respect-mag.com